Matthew White was born in 1973 and began singing as a treble with St. Matthew’s Men and Boys Choir in Ottawa, Canada. Operatic engagements include work with the Glyndebourne Festival Opera, New York City Opera, Houston Grand Opera, and Cleveland Opera. On the concert stage he has worked with groups including Bach Collegium Japan (Masaaki Suzuki), Collegium Vocale Ghent (Phillipe Herrewheghe, H.C Rademann, Marcus Creed), Tafelmusik (Jeanne Lamon, Yvars Taurins), Les Violons du Roy (Bernard Labadie), Ensemble Arion (Monica Huggett), Le Concert spirituel (Hervé Niquet), Nederlands BachVereniging (Jos VanVeldhoven), the Oregon Bach Festival (John Nelson), Le Parlement de Musique (Martin Gester), and Carmel Bach Festival (Bruno Weil), Ensemble La Nef (Sylvain Bergeron). He has also appeared as a soloist at the Vancouver, Boston, Bruges, and Utrecht Early Music Festivals. Matthew is the programming director for Montreal’s Ensemble Les Voix Baroques. Upcoming projects include Handel's Messiah with Boston Baroque, the Toronto Symphony, the Oregon Symphony and with Le Concert D'Astrée under Emmanuelle Haïm for an extensive European tour, a Canadian tour and recording of the St.John Passion with Arion Baroque Orchestra, a US Tour of St. John Passion with Monica Huggett and the Portland Baroque Orchestra, Handel's Rodelinda for Pacific Opera Victoria, Handel's Israel in Egypt with Tafelmusik Baroque Orchestra, Steffani's Niobe with the Boston Early Music Festival Orchestra and numerous concerts across North America with Les Voix Baroques.